Dark Eternity: Luc Besson's Rebirth of the Immortal Legend

Luc Besson introduces his new adaptation of the iconic vampire legend arriving in cinemas on February 6, 2026. This cinematic offering revisits a figure deeply rooted in folklore and literature, whose modern romance was solidified in the late 19th century by Bram Stoker.

The enduring myth of the immortal being has traversed centuries, evolving from ancient legends to a celebrated character in literary traditions. Numerous retellings in film, television, and video games have continued this legacy, capturing imaginations with each interpretation.

A number of performers have embodied the enigmatic creature over the years, with celebrated names in acting and direction contributing to its mystique. In this latest vision, Caleb Landry Jones is set to portray the powerful nobleman known as Count Vlad, while Zoë Bleu takes on the dual role of the female leads. Additionally, award-winning Christoph Waltz brings a fresh interpretation to a character reminiscent of the classic mentor figure from earlier tales.

Notably, certain regions, including Nordic markets, experienced an earlier debut under the alternate name Dracula: A Love Tale. Critics have observed that, despite a somewhat subdued intensity, the film presents a unique perspective that might even rival the somber tones of previous reimaginings in the genre.

The story unfolds with a narrative set in the 15th century, where the violent demise of a prince’s wife leads him to turn away from divine grace, cursing himself with eternal existence. Transformed into an undying warlord, he embarks on a relentless odyssey to resurrect the memory of his long-lost beloved.

Below are several points that encapsulate the main aspects of the… film:

• Director Luc Besson’s fresh take on a timeless legend
• Caleb Landry Jones as the determined and tormented nobleman
• Zoë Bleu’s dual performance as the female leads
• Christoph Waltz offering a reinterpretation of the wise priest figure
• An earlier release in select regions under a different title

The first trailer for this reimagined classic is available ahead of its theatrical release. What are your thoughts on Luc Besson’s innovative interpretation of this enduring myth?